When was the last time you heard a Muslim woman speak for herself without a filter?
In 2016, Mariam Khan read that David Cameron had linked the radicalization of Muslim men to the ‘traditional submissiveness’ of Muslim women. Mariam felt pretty sure she didn’t know a single Muslim woman who would describe herself that way. Why was she hearing about Muslim women from people who were neither Muslim, nor female?
Years later the state of the national discourse has deteriorated even further, and Muslim women’s voices are still pushed to the fringes – the figures leading the discussion are white and male.
Taking one of the most politicized and misused words associated with Muslim women and Islamophobia, It’s Not About the Burqa is poised to change all that. Here are voices you won’t see represented in the national news headlines: seventeen Muslim women speaking frankly about the hijab and wavering faith, about love and divorce, about feminism, queer identity, sex, and the twin threats of a disapproving community and a racist country. Funny, warm, sometimes sad, and often angry, each of these essays is a passionate declaration, and each essay is calling time on the oppression, the lazy stereotyping, the misogyny and the Islamophobia.
What does it mean, exactly, to be a Muslim woman in the West today? According to the media, it’s all about the burqa.
Here’s what it’s really about.
A fascinating and revelatory exploration of the intricacies of Islam and the inner psyche of the Muslim world from the bestselling author of The Islamist
‘Islam began as a stranger,’ said the Prophet Mohammed, ‘and one day, it will again return to being a stranger.’
The gulf between Islam and the West is widening. A faith rich with strong values and traditions, observed by nearly two billion people across the world, is seen by the West as something to be feared rather than understood. Sensational headlines and hard-line policies spark enmity, while ignoring the feelings, narratives and perceptions that preoccupy Muslims today.
Wise and authoritative, The House of Islam seeks to provide entry to the minds and hearts of Muslims the world over. It introduces us to the fairness, kindness and mercy of Mohammed; the aims of sharia law, through commentary on scripture, to provide an ethical basis to life; the beauty of Islamic art and the permeation of the divine in public spaces; and the tension between mysticism and literalism that still threatens the House of Islam.
The decline of the Muslim world and the current crises of leadership mean that a glorious past, full of intellectual nobility and purpose, is now exploited by extremists and channelled into acts of terror. How can Muslims confront the issues that are destroying Islam from within, and what can the West do to help work towards that end?
Ed Husain expertly and compassionately guides us through the nuances of Islam and its people, contending that the Muslim world need not be a stranger to the West, nor its enemy, but a peaceable ally.
Shabnam Qureshi is a funny, imaginative Pakistani-American teen attending a tony private school in suburban New Jersey. When her feisty best friend, Farah, starts wearing the headscarf without even consulting her, it begins to unravel their friendship. After telling a huge lie about a tragedy that happened to her family during the Partition of India in 1947, Shabnam is ready for high school to end. She faces a summer of boredom and regret, but she has a plan: Get through the summer. Get to college. Don’t look back. Begin anew.
Everything changes when she meets Jamie, who scores her a job at his aunt’s pie shack, and meets her there every afternoon. Shabnam begins to see Jamie and herself like the rose and the nightingale of classic Urdu poetry, which, according to her father, is the ultimate language of desire. Jamie finds Shabnam fascinating—her curls, her culture, her awkwardness. Shabnam finds herself falling in love, but Farah finds Jamie worrying.
With Farah’s help, Shabnam uncovers the truth about Jamie, about herself, and what really happened during Partition. As she rebuilds her friendship with Farah and grows closer to her parents, Shabnam learns powerful lessons about the importance of love, in all of its forms.
Featuring complex, Muslim-American characters who defy conventional stereotypes and set against a backdrop of Radiohead’s music and the evocative metaphors of Urdu poetry, THAT THING WE CALL A HEART is a honest, moving story of a young woman’s explorations of first love, sexuality, desire, self-worth, her relationship with her parents, the value of friendship, and what it means to be true.