It’s a random universe, but once in a blue moon things turn out just right.
In a nameless city, two rival criminal gangs are competing for control. But they hadn’t counted on Jack Reacher arriving on their patch.
Reacher is trained to notice things.
He’s on a Greyhound bus, watching an elderly man sleeping in his seat, with a fat envelope of cash hanging out of his pocket. Another passenger is watching too … hoping to get rich quick.
As the mugger makes his move, Reacher steps in.
The old man is grateful, yet he turns down Reacher’s offer to help him home. He’s vulnerable, scared, and clearly in big, big trouble.
What hold could the gangs have on the old guy? Will Reacher be in time to stop bad things happening?
The odds are better with Reacher involved. That’s for damn sure.
The #1 New York Times bestselling author David Baldacci introduces an unforgettable new character: Archer, a straight-talking former World War II soldier fresh out of prison for a crime he didn’t commit.
It’s 1949. When war veteran Aloysius Archer is released from Carderock Prison, he is sent to Poca City on parole with a short list of do’s and a much longer list of don’ts: do report regularly to his parole officer, don’t go to bars, certainly don’t drink alcohol, do get a job–and don’t ever associate with loose women.
The small town quickly proves more complicated and dangerous than Archer’s years serving in the war or his time in jail. Within a single night, his search for gainful employment–and a stiff drink–leads him to a local bar, where he is hired for what seems like a simple job: to collect a debt owed to a powerful local businessman, Hank Pittleman.
Soon Archer discovers that recovering the debt won’t be so easy. The indebted man has a furious grudge against Hank and refuses to pay; Hank’s clever mistress has her own designs on Archer; and both Hank and Archer’s stern parole officer, Miss Crabtree, are keeping a sharp eye on him.
When a murder takes place right under Archer’s nose, police suspicions rise against the ex-convict, and Archer realizes that the crime could send him right back to prison . . . if he doesn’t use every skill in his arsenal to track down the real killer.
Tanya DuBois doesn’t exist. At least not after an accident leaves her husband dead and thrusts her into the uncomfortably familiar position of Suspect No. 1. She has only one choice: Run.
As “Tanya” watches her life recede in the rearview mirror, we realize she was never real to begin with. And neither is Amelia Keen, Debra Maze, Emma Lark, Sonia Lubovich, or a girl called only Jo. Or almost any of the things she tells us about herself, her past or where she is going next. She is “Amelia” when she meets Blue, another woman with a life she’d rather not discuss, and thinks she’s found a kindred spirit. But their pasts and futures clash as the body count rises around them.
Shedding identities like snakeskins, it becomes impossible for the people in Tanya’s life – and even herself – to know exactly who they’re dealing with. It’s only as she comes closer to facing her past that she can start to piece together the truth about not only who she was but who she can still be. THE PASSENGER inverts the traditional thriller, bypassing whodunit for the larger mysteries of who are you, and what is forgivable, and what is not?